I tested my three TS-E lenses 17mm, 24mm and 45mm. If you want to read an in-depth review of the GFX, head over to DPreview. The focus point for all pictures was set to where the light pole meets the ground. I’m not sure if this is the exact same f-stop, but I think it’s good enough for this test. To compensate for the different sensor sizes I set the Canon to f11 and GFX to f13.
#PHASE ONE FUJIFILM FULL FRAME SENSOR COMPARISON ISO#
Both cameras were set to aperture priority and ISO 100. To have something to compare the GFX against I took the same pictures with my Canon 5DSR. The building’s texture is great for a lens review! I went out one evening when the light was OK and set up my tripod. This innovation made it possible to create patterns and images directly on the wall surfaces of the buildings. When the material hardens, the surface can be sandblasted, revealing the stones under the surface. The Norwegian National Museum describes the process of making the material like this: The material is made by filling a casting mould with small natural stones and then pouring in a thin mortar mixture.
It’s one of his most beautiful buildings and is made with his signature material Naturbetong. I live next door to the iconic Bakkehaugen Church, designed by architect Erling Viksjø in 1959. All in all, the GFX 100s is a great stills camera. The camera body is similar in size to a DSLR. Here’s a short introduction for those of you who do live under a rock Fuji’s GFX 100s is almost the same camera as the medium format camera GFX 100, but less expensive.
Plus, I have a few RAW-files at the end of the article for you to download so you can see the quality for yourself! I’ll be giving you a good look into how the 100s and TS-E combo works together. Before making the hefty purchase, you might be wondering how your TS-E lenses would perform on the GFX. Unless you live under a rock, you probably have heard about the beyond full-frame Fujifilm GFX 100s.
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